Pulling Upon the Strap masterfully displays the range of influences that form the sound of the Minnesota-based group Gypsy Lumberjacks. While the group’s base sound is solidly Americana based, there is an improvisational element which brings in elements of Latin, jazz, creole, European folk, and even some psychedelic and progressive rock.
Roger Hodgson, the founder and former composer and vocalist of the group Supertramp, will be coming back to North America for a mini-tour this November.
The 2006 album Black Holes and Revelations, brought the modern alternative band Muse critical and commercial accolades along with international recognition. As our Modern Classic for July 2014, we take a n in-depth look at this album of diverse styles and sonic treats.
With Peach, the Brooklyn-based group Late Cambrain has made an accessible pop/rock album which celebrates youth and joy and the good life, without getting trapped in any formulaic rut or being tethered to any passé musical trends.
Modern Rock Review launched a brand new monthly series called Modern Classics with a review of Brainwashed, the 2002 posthumous final album by the legendary George Harrison. This brilliantly produced record was forged over a course of 14 years and does great tribute as a final output for the former Beatle.
Bread & Circuses, the debut album from Idaho based Furious Jones. The guitar, vocal, and drums work by this husband and wife duo is entirely unique with a bit of alternative/grunge sound along with obvious blues, rock and pop influences.
The Veer Union starts their early summer North American tour to promote the release of the deluxe edition of Divide the Blackened Sky.
The two man group Scoti*Slate‘s latest album, Good Fight, has eighties influences in style, but it is by no means retro or stuck in time. This CD stands out as a good mix of songwriting and musicianship.
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