May 11, 2011
by J.D. Cook
NOTE: This review was originally published at BigBlueBullfrog.com on May 11, 2010.
Ric Albanoâ€™s Imaginary Lines 33 is an epic. Thirty-three songs packed on to two discs are not for the faint of heart, but if you have the courage the experience is rich and rewarding, although far from easy listening. Peter Jackson once said of movies that, â€œthey are never finished, you only reach a point where you feel alright to stop.â€ This seems to ring extremely true with Imaginary Lines 33, as Mr. Albano clearly reached a point where he had to stop. This leaves a few songs sounding unfinished, but it also makes the more perfected songs, previously released on Imaginary Lines I (2005) and Imaginary Lines II (2007), stand out.
The first eight songs on the album are all new. Janet Rainsâ€™ vocals on â€œCrimson White and Indigoâ€ stand out, but it is not strong enough to be the opening track of this musical odyssey. â€œSister Josephineâ€ is an odd songs that borrows from one or two rock classics, but its last line, â€œAnd if I ever become human again-And worthy of friends-Could I?â€“Should I?-Would I ever get to see you again?â€ is quite profound. This song is followed by â€œRubiconâ€, which is the most perfect of Albanoâ€™s new songs. There is nothing negative about this song, but one wonders why it was not at the end of disc one or beginning of disc two serving as a crossing point for the listener.
â€œPrincess of Pearl Avenueâ€ is a fun, upbeat pop song before 999 Escape which has sad sounding keyboards, but ugly affects on the vocals. Track six, â€œTommyâ€™s Got a Gunâ€, oozes Philosophy while â€œCanâ€™t Get My Mojo Risinâ€™â€, â€œAshesâ€, and â€œThe Phoenixâ€ flow together very well.
At this point in the album the listener is thrust back to Imaginary Lines I. The standouts on that 2005 original remain the standoutâ€™s still, as very little is changed save some time trimming. â€œGood Fridayâ€, â€œLoreleiâ€, â€œAnthemâ€, and â€œDonovanâ€™s Dreadâ€ are the show stealers here, but the rest are all very good and this is easily the best section of the entire thirty three song journey. The bass on â€œ33 Flames for Maryâ€ is quite unique as well.
The second disc begins with the rehashing of the songs from Imaginary Lines II. Unfortunately, the first three tracks sound similar and after already listening to seventeen songs this can be deadly, unless you are smarter than me and donâ€™t listen to both CDâ€™s back to back. Luckily â€œThe Last Man to Walk Aloneâ€ saves the day with its western theme song goodness. The next groups of songs are very good. Erik Trabertâ€™s guitar stands out on all of the songs he plays on, but especially on the ending of â€œDeuceâ€. Janet Rains makes a brilliant return on â€œThe Old Man and the Seaâ€ and the dueling vocals of â€œBelieveâ€ are very interesting.
Lastly, but far from least, Badleeâ€™s drummer Ron Simasek performs a fantastic job throughout both disks on the collection and fellow Badlee Bret Alexander adds guitars on all the former Imaginary Lines I songs.
The problem with Imaginary Lines 33 is also one of its strong points. It is epic! The work is so great and musically complex it is hard to relate to some of it. Even the lyrics need to be read in order for you to grasp the full philosophy being addressed within any given song.
Overall, the album is like a novel written in a way so that only the writer can fully appreciate it. There is also the problem of an oversaturated keyboard sound on much of the second disc. Yet despite this there is so much musical complexity throughout Imaginary Lines 33 that it will surely appeal more to other musicians then anyone. This epic is certainly worth an ear but be prepared to listen to it multiple times just to grasp minor concepts, and sounds. This album is a solid B, folks.